Blogs
Fri Oct 10, 3:53 PM
Fri Oct 10, 12:19 PM
Fri Oct 10, 3:11 PM
Fri Oct 10, 1:43 PM
Fri Oct 10, 2:45 PM
Fri Oct 10, 11:20 AM
Fri Oct 10, 12:27 PM
Fri Oct 10, 8:00 AM
Recent Articles
Recent Articles by Andrew Miller
No related articles found
National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
High Marks
Published on July 17, 2008
Occasionally, great films can become so influential that they're eventually cannibalized by other films. After imitators have turned innovation into cliché, the original work might seem like just another incarnation of the familiar. Vertigo enjoys a lasting legacy, however. For instance, a now-common perspective-distorting special effect that was premiered in the movie bears its name. But whereas directors such as Steven Spielberg and Martin Scorsese have appropriated Alfred Hitchcock's dolly-zoom technique, no one has successfully reproduced Vertigo's dizzying story. As a result, the film remains vital 50 years after its theatrical release. Jimmy Stewart plays a detective with acrophobia who becomes entangled with look-alike femmes fatales. (Local tie-in: One of these characters hails from Salina, Kansas.) Hitchcock uses mirrors and a spiral staircase to illustrate the plot's densely coiled twists. Vertigo screens at dusk (around 8:40 p.m.) at Raytown's C. Lee Kenagy Park (79th Street and Raytown Road).
Fri., July 18, 8:40 p.m., 2008