Recent Articles

Recent Articles by Aaron Ladage

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Reggie and the Full Effect

By Aaron Ladage

Published on July 10, 2008

Wild rumors are standard-issue for the intentionally enigmatic Reggie and the Full Effect. But if the latest Internet scuttlebutt is true, Last Stop: Crappy Town is KC-native James Dewees' (meaning the entire band's) final album before he goes full time as the keyboardist for My Chemical Romance. Such a change might explain why the unexpectedly serious Crappy sounds exactly like the album that a former hardcore drummer (Coalesce) and emo granddaddy (Get Up Kids) might make right before diving headfirst for the MTV spotlight. As its name suggests, this concept album traces the New York subway system, tunneling track by track into the depths of Brooklyn. Dewees navigates the journey brilliantly, gliding from harmonic opener "G" to the downright eerie finale, "N." And unlike previous albums, there's not a tongue-in-cheek Finnish metal band anywhere in sight. If this is what Reggie's been holding back for the past decade, the joke's been on us all along.



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