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National Features >
SF Weekly
A blogger steals someone else's life story and calls it her own.
By Ashley Harrell
Westword
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By Alan Prendergast
Miami New Times
The family of a dead judge blames a creeping fungus in the federal courthouse.
By Tim Elfrink
Lucinda Williams
West (Lost Highway)
Published on March 08, 2007
After the critical acclaim that was lauded upon Car Wheels on a Gravel Road almost a decade ago, Lucinda Williams appeared to have finally achieved her potential. But meandering, morose releases such as Essence (2001) and World Without Tears (2003) failed to deliver the kind of pop smarts and old-school country passion of her earlier work. West is both a return to Williams roots and a series of fascinating detours down musical avenues with little connection to her past. Her voice has never sounded better than on the atmospheric, nearly ambient folk of ÂAre You Alright? and few female performers write about lust and regret with the edge Williams gives to the boisterous, nearly atonal rock of ÂUnsuffer Me and ÂCome On. Featuring guitarist Bill Frisell and harmonies from Gary Louris (Jayhawks), West is a captivating take on Americana, a clear and concise embrace of modern themes that never forgets the emotional truths of the best rural music.